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"Well, it was perfect: wasn't it, Violet?" Now they can hear the sound of wheels; and presently a light tax-cart swings round the corner, drawn by a large, bony, bay mare, and in which sits a heavy-looking, elderly man, in a light overcoat. Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud." "Now, look here," he says, impressively: "I hope nobody is going to indulge in so much as a covert smile to-day." He glances severely at Nolly, who is already wreathed in smiles. "Because the Æsthetic won't have it. She wouldn't hear of it at any price. We must all be in tense! If you don't understand what that means, Mona, you had better learn at once. You are to be silent, rapt, lifted far above all the vulgar commonplaces of life. You may, if you like, go into a rapture over a colorless pebble, or shed tears of joy above a sickly lily; but avoid ordinary admiration.".